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Emmanuel de Bayser, his Paris as a Collector
Berlin-Paris. Paris-Berlin. Emmanuel de Bayser is accustomed to this geographical balance. Three days here, three days there. In his own way, the founder of the Berlin concept store The Corner is committed to feeling good in both European capitals. Weaving his own world in this new Parisian equipment, located a stone’s throw from the Monceau park, took him over a year. Moving, trying, adjusting associations. To find the ideal combination of “order and comfort”, conducive to calm. The qualities of this pure Haussmanian property had an immediate effect on him. High ceilings, no corridors and a structured distribution of rooms around the entrance hallway. A delightful prospect that the collector has since further refined with a couple of lighter shades, accentuating the luminosity of the place. Colour, on the other hand, is brought by sublime decorative elements. Furniture, contemporary works of art and accessories with a timeless form and in almost universal monochrome. This is a reflex response for those who know fashion and its shortcomings only too well. In this dramatic setting, largely unaffected by the years, Emmanuel de Bayser has surrounded himself with some unique personalities. Sculptures of busts or faces whose expression suggests a continuous movement. In his image.
Discover Emmanuel de Bayser's unique world in our self-published book, Retrospective. An anthology of the most impressive interior glimpses throughout the history of our medium, available in our shop and on our e-shop.
Author
Caroline Balvay
Photographer
Constance Gennari
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TSF
After Berlin, here we are in your Parisian apartment. Did these two cities inspire you in the way you decorated each of these two interiors?
Emmanuel
I think, rather than the city, it is the space that inspires me. Berlin was very neutral as a space, so I felt quite free to design according to my wishes at the time, five years ago already. For Paris, the apartment is a pure Hausmannian one. So the style is already decidedly Parisian. What I liked right away was its really open feel, almost lofty, which is rare. There are no corridors, not a single metre is wasted. One room leads to the next offering beautiful perspectives. So yes, I was very inspired by Paris for this apartment. Less by Berlin for the other, where on the contrary, I wanted a serene space in contrast with a city that I find quite traumatised.
TSF
Is there a common thread between these places?
Emmanuel
I am told that you feel very much at peace when you enter both apartments! That’s probably what I’m unconsciously looking for. Contrast, of course, but nothing aggressive.
TSF
This love for art and design, is it related to your family background? Or are you self-taught?
Emmanuel
Both. I’ve always been immersed in an artistic aesthetic world. My paternal grandfather established the Bayser Gallery, which specialises in antique drawings. My maternal great-grandfather, the Symbolist painter George Desvallières, had a substantial impact on the family. So there is a strong artistic marker on both sides. The taste for traditional design and contemporary art is more personal. It is the result of a more traditional and classical culture.
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I haven't yet had the chance to have my nephews and nieces visit me though: they're very young. I'm not sure I'd be quite so serene with all the ceramics lying around. I'll let them play with the sheep instead!
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TSF
How do your family members react to this very precise world? How do they perceive it, do they cope with it?
Emmanuel
I’m not sure they understand the choice of pieces and associations, but they feel good when they come here! I like the combination of order and comfort. It relaxes me and reassures me. I haven’t yet had the chance to have my nephews and nieces visit me though: they’re very young. I’m not sure I’d be quite so serene with all the ceramics lying around. I’ll let them play with the sheep instead!
TSF
The apartment is dotted with works of art. How do you choose them?
Emmanuel
It’s very much trial and error! Fortunately, the galleries are understanding. But what I like – in disorder – is above all the form, the colours, the freshness, the timelessness, the dialogue between the objects and the furniture.
TSF
Which artists and designers (…) are currently influencing you?
Emmanuel
Camille Henrot, Imi Knoebel, Jannis Kounellis, Louise Bourgeois, Günther Förg, Jean Arp, Anish Kapoor, Alexandre Noll, Georges Jouve, Jean-Michel Frank and finally some stone furniture pieces created by Francesco Balzano, a talented designer!
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TSF
How can you take it further?
Emmanuel
The next project is in the mountains, up under the rooftops. So it’s a different world! We have already opened up the spaces, and I am working on the layout of the areas, working with the perspectives, the choices for the rooms. Each time it is a new beginning and constant questioning. Nothing is ever taken for granted!
TSF
Why not open a gallery if the world of decoration means so much to you?
Emmanuel
I’m still very busy with The Corner Berlin! So I don’t have time yet, but I think about it sometimes.
TSF
What is the next step for you?
Emmanuel
I am a great believer in chance encounters and the associated timing we have no control over. So I let things happen while I keep working hard behind the scenes to make them happen.
TSF
What are your favourite places to visit during your stays in Paris?
Emmanuel
Les Marches, inevitably the galleries and auction houses but also in the streets of Paris on Saturday and Sunday, early in the morning. And, above all, my home!
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