Family

Moldings, parquet flooring, fireplace, and a certain touch of whimsy: a lively Haussmann-style apartment, between family life and creative work.

Chez Delphine Plisson

At

Delphine Plisson and Romain Jubert’s home, Lilas-Jeanne, 25, Margaux, 18, Keïzo, 17, and Françoise, 8.

In the Parisian Saint-Georges neighborhood, with its Haussmann-style moldings, through-light and stacks of books, the apartment of Delphine Plisson and Romain Jubert tells a story still being written. A former luxury grocer—she is the founder of Maison Plisson—and also a writer, Delphine is now opening a new chapter as editor-in-chief of 20 ans plus tard, the society magazine she is creating alongside Romain Jubert, her partner and editorial director. A project to which The Socialite Family is delighted to contribute through a dedicated interior design feature curated by Constance Gennari. In their light-filled Paris apartment, the couple builds a joyfully blended family life, where vintage finds, carefully selected furniture pieces and artworks speak as much of their story as of their taste. A living home, very much like them, where their shared passion for cinema—from Falling in Love to Papy fait de la résistance—runs as a recurring thread through the décor and shapes their everyday life.

Location

Paris

Author

Anne-Laure Griveau

Photos and videos

Gautier Billotte, Margaux Buisson

Chez Delphine Plisson
Chez Delphine Plisson
Chez Delphine Plisson
Chez Delphine Plisson
Chez Delphine Plisson
Chez Delphine Plisson
Chez Delphine Plisson
Chez Delphine Plisson

Sofa by Le Monde Sauvage, Willy Rizzo coffee table, “kraft” leather bag by Larfeuille.

Chez Delphine Plisson
Chez Delphine Plisson
Chez Delphine Plisson

Sofa by Le Monde Sauvage, Willy Rizzo coffee table, “kraft” leather bag by Larfeuille.

Chez Delphine Plisson
Chez Delphine Plisson

Vintage public garden chair.

Chez Delphine Plisson

Photo from the filming of Falling in Love, with Meryl Streep and Robert De Niro, a cult film for the couple.

Chez Delphine Plisson

Byredo Bibliothèque candle.

Chez Delphine Plisson

Jacques Hitier chair, designed for post-war model apartments in Le Havre.

Chez Delphine Plisson
Chez Delphine Plisson

Byredo Bibliothèque candle.

Chez Delphine Plisson

Jacques Hitier chair, designed for post-war model apartments in Le Havre.

Chez Delphine Plisson
Chez Delphine Plisson

TSF

Can you tell us the story of how you came to this apartment?

Delphine

I found it a little over a year ago. When Romain came into my life, met my children, and I met his daughter, things happened very naturally. Little by little, this apartment became ours, the home of our blended family.

TSF

What drew you to this place?

Delphine

First and foremost, the neighborhood. I’ve lived here for a long time, and I feel deeply at home in it. It’s full of shops, lively and joyful, while still being very pleasant to live in on a daily basis. And then the apartment itself: the light, the proportions, the moldings, the parquet… It has everything we love in a beautiful Haussmann-style home, with a very fluid layout where there is almost no wasted space.

Romain

What’s quite amusing is its circular layout. You can almost walk all the way around the apartment. The children, as well as the cats, make the most of it! In fact, it’s really a stadium for felines here.

Delphine

And then the bathroom! Huge, with very high ceilings. My first reaction was: “But who had the idea to make a bathroom this big… and why?” Very quickly, my aesthetic doubts gave way to the pleasure of comfort.

TSF

So how do you experience family life in this apartment, which is also both of your workplace?

Delphine

We’re lucky to have an office two floors up whenever we need some quiet, but most of the time we work here. Our desks face each other, so it only takes a few steps to exchange an idea—it’s wonderful. That said, we also spend a lot of time outside, especially in Place Saint-Georges, which is quite literally our second office. The day often starts there with a coffee. I love its atmosphere, its architecture, and its calm. It’s a very peaceful place, and then, later in the day, theatre audiences arrive and a different rhythm takes over. With the children, the living room—and especially the dining table—are the real gathering points. At weekends, that’s where everyone comes together.

TSF

Any restaurant recommendations in the neighborhood?

Delphine

Les Canailles is a wonderful old-school neighborhood bistro—excellent food and very well run. You have to like bistro-style cuisine: think veal liver and tripe! We’re both big meat lovers, so I don’t really have any vegan or sweet-tooth addresses. We also really like Savarin, which is excellent as well. And Benjamin Schmitt probably makes the best cassoulet in Paris.

Romain

Minimum !

TSF

Where did the idea of launching a magazine come from? Could you tell us more about 20 ans plus tard?

Delphine

I belong to a generation of women who are experiencing a new phase of life starting at 45. It’s something quite unprecedented—our mothers didn’t experience it in the same way. We now have twenty additional years to invent, invest in, and enjoy. 20 ans plus tard was born from this conviction, as well as from the desire to create a shared project with Romain. Very text-driven, the magazine brings together around thirty women aged 29 to 82: journalists, interior designers, chefs, Pilates instructors—various professions… A group that could be friends, creating the magazine they would have wanted to read. I believe this second part of life is an opportunity, one that should be embraced, through experiences, life paths, and the professions of these 30 new kinds of contributors who accompany me.

TSF

How do you work together on a daily basis as a duo?

Romain

Delphine does everything, and I do the rest! (laughs) I give a few bits of advice from time to time.

Delphine

Romain has been creating magazines (Vieux et Bon, ed.) for thirty years. How to find a tone, a rhythm… It’s an incredible privilege to learn alongside him. He supports me with great generosity, sharing his experience, his perspective, and his high standards. We exchange a great deal, but each of us keeps our own territory. Choosing contributors, defining the editorial structure, proofreading and editing texts—that’s more my domain!

Chez Delphine Plisson

In the library: Laisse aller, c’est une valse, Delphine’s first novel, published by Éditions Lattès in 2025, and Vieux, the magazine, of which Romain is editorial director.

Chez Delphine Plisson

Delphine Plisson

I belong to a generation of women who are experiencing a new stage of life starting at 45. It’s unprecedented—our mothers did not experience it in the same way. We now have twenty additional years to invent, invest in, and enjoy. 20 ans plus tard was born from this conviction.

Chez Delphine Plisson
Chez Delphine Plisson

Afternoon snack time.

Chez Delphine Plisson

lamp by The Socialite Family.

Chez Delphine Plisson
Chez Delphine Plisson

Afternoon snack time.

Chez Delphine Plisson

lamp by The Socialite Family.

Chez Delphine Plisson

TSF

There are magazines and books everywhere in your home—where does your love of reading come from?

Romain

My love of reading? It came from being forbidden to read! I was at boarding school in Coutances, at Lycée Germain, and time could sometimes feel very long. I discovered, under the radar, the S.A.S. series—and that was it! From His Serene Highness Malko Linge, I eventually moved on to Balzac and others.

Delphine

Mine is very different… I spent a lot of time with my maternal grandmother, who lived in the Morvan and introduced me very early on to the books of the Comtesse de Ségur. I fell in love—both with my grandmother and with the books she gave me. As soon as I finished one, she would give me the next. Little by little, I discovered how reading is the greatest of journeys, allowing you to withdraw from the world through a book. It has truly always been part of my life.

TSF

You also share a very strong passion for cinema.

Delphine

Yes, we watch a lot of films, sometimes even during the day when we need to take a break.

Romain

We share the same tastes—in the sense that I’m not sure we watch any films made after 2000. We love old films, like Une étrange affaire, Le Sucre, Yves Robert’s films… We watched Papy fait de la résistance together just two days ago.

Delphine

At least for the second time since we’ve been together! We have quite a few set photographs in the apartment. In the living room, there’s one from the set of Falling in Love, with Meryl Streep and Robert De Niro, which I showed to Romain at the beginning of our relationship. It’s probably the most personal object in the house. I’m really glad I found this photo—it will always remind us of that encounter and sums it up quite well.

TSF

Do you do a lot of vintage hunting?

Delphine

Almost all the major furniture pieces are vintage finds: the travertine Willy Rizzo table, the chairs I had reupholstered, the coffee table, several lamps… I love my Jacques Hitier chair, designed for post-war apartments in Le Havre. I tend to hunt online, setting alerts for pieces or designers I like and waiting for the right opportunity. Right now, I’m looking for Bruno Rey chairs—if anyone has any and is reading this, consider it a call out! However, there is one thing I never compromise on: the bed. Brand, quality, craftsmanship—it really matters. A very good mattress, an excellent duvet and beautiful linen are essential. And of course, the stack of books by the bedside… I could live surrounded by books.

TSF

And yet there’s a certain sense of restraint in your home…

Delphine

Yes, I could live surrounded by books, but also by rugs and sofas, with a bar in the middle. That said, I would be just as happy in a very pared-back space. What I don’t like are in-betweens. Objects that are purely decorative, little trinkets, don’t really interest me. I find very simple yet extremely comfortable spaces deeply calming. Here, the beautiful moldings, parquet flooring and light already do much of the work. We are neither collectors nor obsessed with decoration. We let the apartment evolve slowly, as our life unfolds.

TSF

You used to be a grocer—does cooking still play an important role in your daily life?

Delphine

A huge one. I worked in fine grocery for thirteen years, and it has absolutely not diminished my pleasure in cooking. Quite the opposite. The first question I often ask myself in the morning is: what are we going to eat today? This spring, I had a bit of an asparagus craze! We are very lucky with the food shops in the neighborhood.

TSF

And when you leave Paris?

Delphine

We often go to Brittany and, above all, try to slow down. Reading, cooking, walking, enjoying time together. With the launch of the magazine, we are very much living in the present. So whenever we can get away for a few days, we simply savour the pleasure of being together.

Chez Delphine Plisson
Chez Delphine Plisson

1960s opaline glass lamp sourced from Nomibis, striped dress by Martin Martin, photograph by René Groebli found at Galerie de l’Instant.

Chez Delphine Plisson
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